The Imp of the Perverse

In my admittedly limited survey of literature, I haven't come across this theme except in the stories and essays of Edgar Allan Poe. His writings are freely available online, and they are extremely enjoyable, if you can acquire a taste for his old-style English.

In a short essay called The Imp of the Perverse, he describes something unspeakable in all of us: the desire to do what we know as wrong, for the fun of it. To imagine horrible things because of their grotesqueness, to loathe someone because of some virtue he has, ...

He writes:

... to admit, as an innate and primitive principle of human action, a paradoxical something, which we may call perverseness, for want of a more characteristic term. In the sense I intend, it is, in fact, a mobile without motive, a motive not motivirt. Through its promptings we act without comprehensible object; or, if this shall be understood as a contradiction in terms, we may so far modify the proposition as to say, that through its promptings we act, for the reason that we should not. In theory, no reason can be more unreasonable, but, in fact, there is none more strong. With certain minds, under certain conditions, it becomes absolutely irresistible. I am not more certain that I breathe, than that the assurance of the wrong or error of any action is often the one unconquerable force which impels us, and alone impels us to its prosecution. Nor will this overwhelming tendency to do wrong for the wrong's sake, admit of analysis, or resolution into ulterior elements.

...

There lives no man who at some period has not been tormented, for example, by an earnest desire to tantalize a listener by circumlocution.

...

We stand upon the brink of a precipice. We peer into the abyss -- we grow sick and dizzy. Our first impulse is to shrink from the danger. Unaccountably we remain. By slow degrees our sickness and dizziness and horror become merged in a cloud of unnamable feeling. By gradations, still more imperceptible, this cloud assumes shape, as did the vapor from the bottle out of which arose the genius in the Arabian Nights. But out of this our cloud upon the precipice's edge, there grows into palpability, a shape, far more terrible than any genius or any demon of a tale, and yet it is but a thought, although a fearful one, and one which chills the very marrow of our bones with the fierceness of the delight of its horror. It is merely the idea of what would be our sensations during the sweeping precipitancy of a fall from such a height. And this fall -- this rushing annihilation -- for the very reason that it involves that one most ghastly and loathsome of all the most ghastly and loathsome images of death and suffering which have ever presented themselves to our imagination -- for this very cause do we now the most vividly desire it.